Bowing
How to do detache
Detache is the foundational separate-bow stroke: one smooth bow per note, on the string, with a clean change of direction and no break in sound between notes. It is the default stroke from which most other bowings are built. There is no accent and no stop; the goal is an even, connected, singing line where each note gets its own bow direction. Detache is the bread-and-butter stroke for scales, etudes, and the majority of orchestral and solo passages. A clean, even detache is what audition panels listen for first because it exposes basic bow control and tone consistency.
How to practice it
- 1Play a one-octave scale with a full, even bow on each note, one note per bow, listening for identical tone quality at the frog, middle, and tip.
- 2Slow the tempo and keep bow speed constant across the whole note so you are not speeding up or jerking at the direction change.
- 3Practice the bow change itself in isolation on an open string: lead the change with a relaxed hand and fingers so the sound stays seamless with no bump or gap.
- 4Add a metronome and keep equal bow length per note, dividing the bow so down-bows and up-bows use the same amount of hair.
- 5Once even, vary the bow division (whole bow, upper half, lower half) on the same scale to build control in every part of the bow.
Common mistakes
- Accenting or bumping at every bow change instead of keeping the sound continuous.
- Uneven bow speed, which makes the start or end of each note louder or softer.
- Letting tone change between frog and tip because weight is not adjusted along the bow.
- Gripping the bow, which stiffens the hand and produces audible gaps at the change.
Frequently asked
What is detache?
Detache is the foundational separate-bow stroke: one smooth bow per note, on the string, with a clean change of direction and no break in sound between notes. It is the default stroke from which most other bowings are built. There is no accent and no stop; the goal is an even, connected, singing line where each note gets its own bow direction. Detache is the bread-and-butter stroke for scales, etudes, and the majority of orchestral and solo passages. A clean, even detache is what audition panels listen for first because it exposes basic bow control and tone consistency.
How do I practice detache?
Play a one-octave scale with a full, even bow on each note, one note per bow, listening for identical tone quality at the frog, middle, and tip. Slow the tempo and keep bow speed constant across the whole note so you are not speeding up or jerking at the direction change. Practice the bow change itself in isolation on an open string: lead the change with a relaxed hand and fingers so the sound stays seamless with no bump or gap. Add a metronome and keep equal bow length per note, dividing the bow so down-bows and up-bows use the same amount of hair. Once even, vary the bow division (whole bow, upper half, lower half) on the same scale to build control in every part of the bow.
How do I check my detache is working?
Record a passage that uses it and get scored on tone, evenness, and intonation, the same things a teacher listens for. The recording reveals what your ears miss in the room. Your first take is free, no signup.
Is it actually clean? Find out in 60 seconds.
Record a passage and the panel scores your tone, evenness, and intonation. First take is free, no signup.
Face the panel