All-Region · All-State · Solo and Ensemble · College prep
The panel before the panel.
Submit your audition piece. Receive a panel-style verdict with the five dimensions adjudicators score. Know whether you would advance — and exactly what to fix — before the real room hears you.
Dimension scores
Panel verdict
Strong candidate. Rhythmic spine is solid, musicality is mature for the level. Intonation in m.3 is what is holding you below 9.0 — the G runs 14 cents sharp consistently. Address this and you would be in the top decile.
Built for the audition you are prepping
Every state. Every level. Same rubric the panel uses.
Region
All-Region auditions
State-specific scales and etudes pre-loaded. Texas TMEA, Florida FMEA, California CMEA, and all major regions supported. Excerpt detection auto-recognizes your piece.
State
All-State auditions
The harder rubric. Stricter intonation tolerances, tighter rhythm bands, musical-shape weight increased. Calibrated against state adjudicator feedback from prior seasons.
College
Conservatory and college auditions
Concerto-grade evaluation. Movement-length submissions, multiple movements, comparison against conservatory program acceptance bands.
Inside a verdict
Five dimensions. Grounded in your actual take.
Every score line is anchored to a measure number, a specific pitch, a specific beat. No vague feedback. Not "work on intonation" — instead "your G in m.3 is 14 cents sharp."
Intonation
Pitch deviation in cents, weighted by passage difficulty and register
Rhythm
Tempo stability, subdivision accuracy, ensemble feel
Tone
Bow weight, contact-point consistency, projection
Articulation
Bow strokes, slur clarity, staccato precision
Musicality
Phrasing, dynamic shape, expressive choices
The room hears you once. The coach hears you a hundred times.
Three takes free. No card. Verdict in sixty seconds.
Submit a mock audition