J.S. Bach — Suite No. 3, Prelude

Conservatory-level. Every dimension is being measured.

Cello72 bpm55s take

Judge this excerpt now

Record a 30-second take. Get panel feedback in 20 seconds.

Our AI panel scores you on tempo, intonation, rhythm, tone, and musicality — the exact rubric live panels use.

Face the Panel

What the cohort is doing

A handful of students have taken this so far. Submit your take and help the cohort fill in — we publish aggregate scores once at least 5 players have tried it, so nobody can be singled out.

The Throne

No one has claimed it yet

Be the first public take on Suite No. 3, Prelude. Every shared score ranks on this board.

Claim the Throne

Where this excerpt appears

Conservatory graduate and undergraduate cello auditions
National youth orchestra principal-chair auditions
Summer festival cello fellowship auditions
Competition preliminary rounds (Naumburg, Tchaikovsky Junior cello)

Panel-ready practice tips

1.Suite 3 Prelude sits in C major — the open-string resonance is enormous. Use it. Panels mark candidates who don't let the cello ring.
2.The descending sequence in the opening must have internal shaping — not every bar sits at the same dynamic.
3.The harmonic implication changes measure by measure — practice voicing the 'bass note' of each implied harmony even though it's all one line.
4.The bariolage passage later in the Prelude is a string-crossing consistency test — panels time your regularity on it.
5.End: do not rallentando into the final note unless written. Bach panels mark romantic liberties.