Double Bass
High School
Intermediate
Bottesini : Elegia in D major
Stylistic precision matters more than speed at this level.
Double Bass60 bpm50s take
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- High-school and early college bass auditions and recitals
- Youth orchestra bass concerto auditions
- Solo festival intermediate and advanced junior bass divisions
- Pre-college conservatory applications
Panel-ready practice tips
- 1.Bottesini wrote bel canto melodies: every note is part of an aria. Sing the phrase before you play it. If you cannot sing it with a clear breath pattern, you cannot phrase it on the bass.
- 2.The Elegia sits in the bass's mid-to-high register where tone can thin under pressure. Use arm weight and a slow, broad bow stroke to keep the tone full.
- 3.Vibrato is central to this piece. Bottesini's style is Romantic Italian opera. A cold, non-vibrated tone sounds stylistically wrong.
- 4.The tempo is free: expressive rubato is expected and encouraged. But the rubato must feel inevitable, not arbitrary. Practice with a recording to internalize the shape.
- 5.The high notes at the climax of each phrase are the audition's make-or-break moments. Approach them from a lower neighbor-note reference in practice to stabilize the arrival.
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