For violinists · Mark XCIX
Mozart's the cliché. Sibelius is the gate. We grade both like the panel will.
The violin section is the loudest and most-judged seat in any orchestra. The Judge listens for the things that distinguish you in round one — bow weight at the frog, intonation under pressure, the rubato in the second-theme transition.
Concerto-grade dimension scoring
Tone, intonation, rhythm, tempo, and musicality scored on the same rubric a real conservatory or all-state panel uses. No generic 'good job' — bar-specific notes only.
Caprice-aware drill prescriptions
Paganini, Wieniawski, Sevcik — the Judge knows which etudes target which weak dimensions and queues a 20-minute daily drill for the gap it heard.
Section-context calibration
First chair vs. back stand expectations differ. Set your audition target and the rubric tightens or loosens against the standard for that chair.
Repertoire we're calibrated for
- Mozart Violin Concerto No. 3
- Mozart Violin Concerto No. 5
- Sibelius Violin Concerto
- Mendelssohn Violin Concerto
- Bach Partita No. 3 in E major
- Tchaikovsky Violin Concerto
Plus orchestral excerpts, scales, etudes, and any custom piece you record. The Judge generalizes; the named repertoire above gets extra-tuned weighting.
What violinists search for that we answer
- violin audition prep AI
- Mozart concerto audition feedback
- Sibelius violin concerto practice app
- free violin judge app
- all-state violin audition coach
Get scored in 60 seconds.
30 seconds of playing. First take is free. No signup. No card. The Judge returns your verdict + 5-dimension scores + bar-specific notes.
Face the panelSee a sample report at /sample/report or browse all instruments at /strings.