For bassists · Mark XCIX
Bass auditions are won on the orchestral excerpts, not the solos. We know which.
Most audition coaching for bass focuses on solo repertoire. Most actual auditions are won and lost on the orchestral excerpts: Beethoven 5 trio, Beethoven 9 recitative, Mahler 1, Mozart 35. The Judge weights accordingly.
Excerpt-first scoring
Bass excerpt repertoire is finite and well-defined. The Judge knows the Beethoven 5 trio, the Mahler 1 solo, the Mozart 35 opening tutti — and grades against the panel-defining moments in each.
Bow + intonation co-rubric
Bass intonation is bow-arm-coupled in ways violin intonation isn't — string tension changes the pitch envelope across a long bow. The Judge tracks both axes together.
Section-vs-solo calibration
Section auditions and solo recitals score differently. Set your target and the rubric tightens against that context, not a generic 'good bass playing' standard.
Repertoire we're calibrated for
- Beethoven Symphony No. 5 (low strings trio)
- Beethoven Symphony No. 9 (Recitative)
- Mahler Symphony No. 1 (bass solo)
- Mozart Symphony No. 35
- Strauss Ein Heldenleben (excerpts)
- Bottesini Concerto No. 2 in B minor
Plus orchestral excerpts, scales, etudes, and any custom piece you record. The Judge generalizes; the named repertoire above gets extra-tuned weighting.
What bassists search for that we answer
- bass audition prep AI
- double bass excerpt practice
- Beethoven 5 bass excerpt feedback
- Mahler bass excerpt prep
- all-state bass audition coach
Get scored in 60 seconds.
30 seconds of playing. First take is free. No signup. No card. The Judge returns your verdict + 5-dimension scores + bar-specific notes.
Face the panelSee a sample report at /sample/report or browse all instruments at /strings.